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Review: Viaduct Theatre, Dean
Clough, Halifax 21.11.01
23 November 2001 - Guardian ***
Knitting is man's work - at least
it was in South Yorkshire in the 1950s, when it was not unusual
to see men working dexterously with their needles on the way
to the mill. To celebrate this lost world, and make a new case
for knitting as a performance art, Ian McMillan, the Bard of
Barnsley, has stitched together four interlocking yarns about
interlocking yarn. He performs these with a little help from
a strange assortment of friends.
This is a crossover project that
draws together personnel from the worlds of rock, poetry, classical
music and avant-garde jazz. McMillan's words are accompanied
by a tapestry of sound generated by the cornet player and electronics
wizard Andy Diagram (from James), viola player Angie Harrison
(from the Hallé Orchestra) and the jazz guitar improviser
Billy Jenkins (who comes from his own planet entirely).
Jenkins is primarily responsible
for the strange mutations of the score, which lurches capriciously
from his own Howling-Wolf-on-steroids stylisms to Diagram's digitally
treated trumpet. Harrison mediates with the mellow tones of her
viola, though every so often she puts her instrument aside and
picks up her knitting. The idea is that while McMillan completes
his surreal extemporisations on great pieces of knitwear - such
as the mythical output of One-Handed Alice - each member of the
ensemble produces their own woolly hat. Harrison, who claims
to have knitted in all the great concert venues of the world,
comes up with a very creditable beanie. Jenkins, whose knitting
turns out to be as free-form as his guitar improvisations, produces
spaghetti.
It's good fun, but it never really
gets beyond its own kookiness. There are brilliant flashes of
individual inspiration, but guitar, viola, sampled brass and
a South Yorkshire raconteur hardly make for a stable sonic combination.
But for sheer originality you have to take your hat off to them.
Try and catch the final performance of this uncompromising one-off.
© Alfred Hickling
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