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Ian McMillan's article for AVANT
Magazine about The Shed and the Yorkshire Pudding Boat Race
. The piece was used as the basis of the Press Release for
The Shed -'far removed' weekend in June 99.

Think of improvisation. Think
of a village hall. It's a difficult one: the two don't often
go together. Maybe an interesting piece tapelooped from squabblings
in the scout group and the clinking of tea cups. An album of
the noise suggested by the steam from a thousand kettles at a
thousand meetings.
Think of improvisation. Think of The Shed. Not A Shed,
but The Shed, and the The makes
all the difference, as it often does. The Shed has been described
variously as "The Best Venue in England" (David
Thomas of Pere Ubu said that, and he should know) "The
UK's most offbeat arts centre" by The Independent and,
well, they might know, and "Britain's Liveliest Venue"
by BBC Radio 4 and hey, what do they know? The Shed itself is
a piece of improvisation...
The Shed is the sparkling idea of Simon
Thackray, sculptor and ideas man. He wanted to create a venue
that you could just walk to down your village street past your
village bench and your village telephone box. A village hall,
in fact, but a village hall with Factor X. The Factor X in question
is a shed door that stands at the back of the village hall at
every gig, surrounded by white cloth and brightly lit and giving
each gig the feel of The Shed.
For the past few years The Shed has presented a wide range (given
that it only seats seventy and draws from as far afield as Pickering
and Scotland) of Avant-friendly music including Tony Moore, The
Justin Vali Trio, the aforementioned David Thomas with his two
pale boys, Theo Travis, Jim Mullen, Jan Kopinski, The British
Saxophone Quartet and Craig Peebles. I made that last one up.
The Shed also presents a mix of folk and poetry, but over the
last couple of seasons (how long is a Shed season? From the hinge
to the doorknob!) Simon has got more and more into the idea of
music that doesn't sound the same two days running, and that's
where the idea for the 'Far Removed' weekend came from. Well,
it came from that and an evening of music and words with me and
guitarist Janet Wood and bass player Kubryk Townsend where the
second half of the evening was a spontaneous creating (with the
audience) of a new piece called Shed Cycle.
So the Far Removed weekend is about things that only happen once,
or that might happen again but next time they'll be different.
It happens from the 11th - 13th June and it features all kinds
of music that have rarely been heard in a village hall before.
Artists booked include Marshall, Travis, Wood, the amazing percussionist
Mark Sanders, who will be performing with Mrs.Boyes from Malton
who will be calling out bingo numbers, a perfect basis for improvisation
since there's no point ever planning bingo numbers because that
would take away the whole point of bingo. Yes, that Mrs. Boyes.
Bob Cobbing, one of my poetic heroes since I was a sensitive
sixth former will be performing with Paul Hession, Alan Wilkinson
and Simon H. Fell, Billy Jenkins with the Blues Collective will
be squeezed in as well, and I'll be there with Kubryk Townsend
presenting a brand new piece called The Yorkshire Pudding Boat
Songs.
Let me tell you about the Yorkshire Pudding Boat Songs:
they're the essence of The Shed, somehow. They'll be happening
at the Yorkshire Pudding Boat Race, naturally. Simon Thackray
discovered (it's obvious, really) that if you varnish yorkshire
puddings they become boats. If you launch them carefully they'll
float down the river. If you put a little motor in them you can
be in charge of them. If you put a Barbie or a Ken in them it
looks like Barbie or Ken are steering them. And so they float
down the river in a little race and me and Kubryk Townsend perform
our partly improvised/partly written Yorkshire Pudding Boat Songs.
And that's why The Shed idea works. Isn't it the case that the
kind of music we love often scares people away when it needn't?
Wouldn't we rather have crowds at our gigs than bunches? Bingo
and Yorkshire Puddings at the improvisation weekend: two cultures
bumping together, smiling. Improvisation at the village hall.
Lovely!
© Ian McMillan 1999
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