|

Ian McMillan presents a weekly word-based programme
on BBC Radio 3 called The Verb on Saturday Nights. The Verb features
the word as written, spoken and performed and it's fantastic!
Fish Time | Summer Time | Winter Boy | Travelling Man
| Suspense
Fish Time
I'm usually the first up in our
house, first downstairs, first to put the kettle on. First to
hear the fish. It doesn't talk, of course. Or sing. It bumps
into the side of its tank and blows bubbles at me. It wants feeding
and it recognises me as the man with access to the fish breakfast.
Now, I thought fish had hardly any memory. I thought they only
had a three second memory span, could only just remember who
they were, kept going Oh No! I'm Wet! Then briefly remembering
they lived in water, then going Oh No! I'm Wet! again. Not our
fish. It remembers. It's like an ancient storyteller telling
tales of a time before your time and before my time. Depending
on the dressing-gown, of course.
Normally my gownie is a natty grey number. Charcoaly. Like the
sky over Brawby on an Autumn day. When that dressing gown's in
the wash, though, I wear a green one. Bright green. I look like
an apple, or a still photograph of an exploding bowl of pea soup.
And the strange thing is the fish doesn't recognise me. Doesn't
know me from Adam or indeed from Eve. They both wore matching
dressing gowns. That's why they were chucked out of Eden. It
wasn't a serpent, it was a dressing-gown cord. Just the one between
them. It was a windy day. They had knowledge of each other, if
you get my drift. If you get my drifting, billowing gownie.
So in my green gown I'm nobody. I put the kettle on, make the
tea, the fish couldn't care less. In my grey dressing gown, I'm
a food parcel in the desert. Grey: good. Green: who ? I decided
to try an experiment. The grey gownie under the green gown. I
put them on upstairs, silently. The rest of the house was asleep,
snoring gently. It was dark outside. Winter. Under the gowns
I'm naked. I'm just trying to paint a picture for you. Oils,
of course. Thick oils.
Downstairs. The green man, like a green man on a zebra crossing,
walks across the kitchen to the kettle. The fish takes no notice.
The green man whips off the green gown. Burlesque. Gownagram.
He's grey, and the fish goes wild, flipping like Flipper, mouthing
O's like an opera singer on telly with the sound down. Deftly,
the grey man puts the green on again. The fish couldn't care
less, drifting round the bowl. Green off, and the grey starts
a storm. I change from green to grey and back and forth and green
and grey for long minutes as the sky outside gets a little lighter.
And then, in my two-coloured euphoria, I try an experiment. No
gown at all. Naked like the Angel of the North.
So, both dressing-gowns discarded. A grey puddle. A green puddle.
I'm a leaping nude, cavorting in front of the fish tank. I don't
see the wife and family behind me. The fish sees. The fish sees
them. The fish laughs. Every morning now, the fish laughs. Can't
think why. I'm a great example of evolution. A great example.
The wife and kids never mention it. I can see they're biding
their time. I've bought a new gownie. Purple. That'll confuse
the finny bugger.
© Ian McMillan 2004
Fish Time | Summer Time | Winter Boy | Travelling Man
| Suspense
Summer Time
Summer is a time for joining
things, for putting your name forward, making your voice heard.
Riots usually happen in Summer, demonstrations are certainly
not a Winter game. So I've joined the New Apostrophe Movement,
or to give it its proper title, the Ne'w Apostrop'he M'ovement,
or the N'AM. The thing is,
I know about apostrophes. I know the difference between its and
it's and frankly, my d'ear, I don't give a dam'n. I know that
people (often Daily Mail readers) get really cross and stamp
their delicate feet when they pass a butcher's shop with a sign
in the window saying LAMB CHOP'S and they go into the shop, still
stamping their feet so the butcher thinks his space is being
invaded by Daily Mail-reading flamenco dancers, and they say,
with sarcasm dripping from their voice like molasses 'What belongs
to the lamb chops then ?' And the butcher says 'Eh ?' and the
people who are cross about apostrophes say 'If you put an apostrophe
there it means that something belongs to the lamb chops' and
then a regular customer comes in and says 'I'll have half a pound
of minc'e ' and the butcher says 'See! That's how we talk round
here!' I confess that for years I was cross about apostrophes
and then I woke up in a cold sweat (which is a new kind of quilt
we're developing in Barnsley) and realised that it doesn't matter.
The rules of Grammar aren't punishable in a court of law. So
now I'm liberate'd! I can spend the whole Summer gambolling in
the fie'lds and having pi'cn'cs in the grass, drinking w'ine
and ch'ompin'g sandwiche's. And it doesn't matter! Apostrophes
can turn a simple word into an epic. Take egg, for instance.
Boring word. But E'gg: delightful! How about E'g'g ? What a big
egg! Footprints becomes f'o'o't'p'r'i'n't's and you can see 'em
walking across the sand! I'll. Start. On. The. Fu'll. S't'o'p.
N'e'x't ...
© Ian McMillan 2001
Fish Time | Summer Time | Winter Boy | Travelling Man
| Suspense
Winter Boy
A lot of people like to jet off
to the sun. I wouldn't like to do that. I'd like to jet off to
the cold. I'm a Winter Boy, born in January and happy as a snowman
when the nights are dark and the wind is howling. As I stand
in the bus queue with huddled figures saying 'Isn't it cold ?'
with a downward cadence to their voices, I say 'Isn't it cold
?' with an upwards cadence to my voice.
I like the way the wind slaps
me in the chops when I step out of the house to get the chilly
milk; I like the way I have to watch my step when I'm walking
to the Post Office because it might be icy; I like the way the
sky opens up and snow pours out of the clouds like dandruff from
a scratched head. In a previous life I must have been a Finn,
or a Laplander, or an Inuit standing over my father's ice hole
hoping for a glimpse of something fishy.
As global warming takes hold
I'm sure that more people will appreciate the Winter for the
jewel it is. As the ice caps melt and Malton is by the sea all
year and nobody in Britain ever wears a coat from March to November,
the idea of Winter will become a sought-after trendy thing. Channel
4, rather than showing endless films of bright young things leaping
about in Ibiza, will show endless things of bright blue young
things hopping about to keep warm in suddenly-desirable Siberia.
People will stand in bus queues sweating, saying 'Isn't it hot?'
with a downward cadence to their voices, and when the bus comes
and they rattle off to work in steaming offices they'll dream
of the holiday they've got booked in the British Antarctic Territory;
the snorkel parka and thermals already packed, the snowshoes
standing beside the case like tennis rackets, the hot water bottles
bulging in the overnight bag.
People will show off frostbite
rather than suntan. They'll show off about the fact that on holiday
you can see their breath, even at midday. They'll prepare for
the holiday by opening and closing the fridge door and wafting
the cold around them, dreaming of the midnight sun.
Enjoy the Winter while you can.
It's all too short and Summer's just around the corner with its
endless heat and long warm nights with the sunlight pervading
everywhere. I'm a Winter Boy.
© Ian McMillan 2000
Fish Time | Summer Time | Winter Boy | Travelling Man
| Suspense
Travelling Man
This is a true account of what happened. I had to go to Tring,
to make poems up with a gang of kids at the Zoological Museum.
You know the one. Then later that day I had to go to Wetherby
to read poems in the crypt of a church. You know the one. I planned
my day. This is a true account. I went for the 0724 X19 bus from
Darfield to Doncaster. I met my mate Al. We talked about football.
The bus didn't show up. I rang for a taxi from Speed. I planned
my day.
The bus came. Al got on it. The
taxi came. I got in it. The taxi bet the bus, just. This is a
true account of what happened. The 0808 to Stevenage was late,
so I caught it, just. I stood, gasping. The train was made up
of lots of little trains. There was no way you could get from
one train to the other. 'You can't get a cup of tea' said the
guard whose name was Michael, 'because the buffet's on the next
little train and Stevenage is the first stop.' I proffered my
credit card and said RETURN TO STEVENAGE PLEASE in a voice slightly
too loud for the space. Michael said 'I haven't got a thing to
swipe your card with. It's in the next little train. I'll let
you off.' This is a true account. I planned my day.
I travelled in state, free. At
Stevenage I was met by a man called Gavin. 'You like non-league
football, don't you ?' he said. YES I said, in a voice slightly
too loud for the space. ''We'll squeeze a few in' he said. This
is a true account. We went to Hemel Hempstead Borough, Berkhamsted
Town and Tring Town. At each ground I sat and drank in the seats,
the grass, the goalposts, the relationship of the sky to the
goalposts. I planned my day.
We got to the museum. I made
poems with delighted children. Gavin took me back to Stevenage.
'We've got time to squeeze a couple in' he said. GOOD I said,
in a voice slightly too loud for the space. We went to St Alban's
Town and Stevenage Borough. I drank in seats, grass, goalposts,
sky/goalposts interface. This is a true account.
I got the train to York. I was
to be met there by Margaret who was to take me to Wetherby. The
train broke down two miles outside York. A woman on the tannoy
said 'The power has failed.' A man sitting near me said 'That
is the very worst'. A woman on the tannoy said 'We are now a
failed train'. A woman on the tannoy said 'We are now a cancelled
train'. We sat for two hours. It was getting hot because the
air conditioning was off. A woman said to the guard, whose name
was Ray, 'How long will the oxygen last ?' Ray pretended to consult
a thick book. 'Nine weeks' he said. This is a true account.
The train got to York. I was
met by Margaret. We went to Wetherby. I read poems in a dark
church crypt to a small, keen audience. Afterwards a man called
Ted gave me a lift home. We stopped for Fish and Chips on the
outskirts of Wetherby. We talked about the fact that I might
have been the only person in the world who had been to Tring
and Wetherby that day. We talked about Stephen Sondheim musicals.
I planned my day. This is a true account of what happened.
© Ian McMillan 2000
Fish Time | Summer Time | Winter Boy | Travelling Man
| Suspense
Suspense
My wife's a big fan of
suspense novels, whodunnits, mysteries. She loves Inspector Frost
on the telly, and she sits there trying to work out who killed
whom and with what and at what time. She gets so absorbed in
it that I can walk into the room and burst a brown paper bag
quite near her head and she doesn't flinch because she's in suspense,
trying to work out what's happening. Sometimes I can walk into
the room and burst a huge brown paper bag extremely close to
her head and she doesn't flinch because she's in that strange
other country known as Suspense.
On the other hand, I'm not a
big fan of made-up suspense, or Toy Suspense as I call it. In
the mystery book or film or play, there's no real suspense because
the writer and the actors and the director know that it's just
made up. On the other hand, as I stood in the bus shelter today,
waiting for the bus to take me to Barnsley, I was in real, not
Toy, suspense. It was 7.45am. Would the 7.47am 275 come before
the 7.51am 273? Suspense. Which driver would it be? The Happy
Geordie? The Nice Old Bloke? The Flying Scot? The Miserable Git
With the Rings? Suspense. When the bus came, would there be a
seat? Suspense.
I'm like a real Inspector Frost:
my life is all suspense. I'm not the only one, either: my goldfish
has a life of suspense, partly because it's got such a short
memory span. It swims gently round its bowl all night, in suspense
because it doesn't know if I'll ever feed it again or not. Each
night it forgets who I am. Each morning I come downstairs in
my green dressing gown and the suspense is over. The goldfish
goes crazy. Well, Goldfish Crazy. It knows I'm there to feed
it. Not me exactly, of course: it doesn't think 'Ah, here's Ian
McMillan, the well-known poet, performer and broadcaster, with
my disgusting smelling flakes', no, it thinks O O O O, which
rendered into English means: 'Here comes green blob with food'.
It thinks I'm a green blob because I always wear my green dressing
gown and it recognises me. Sometimes my green dressing gown gets
too covered in soup and cheap cider and I have to put it in the
wash, and then the goldfish just goes O O O, which of course
means something completely different to O O O O.
I'm like the goldfish: my life
is suspense, then food. And my mouth is often opening and shutting.
Do you know, somebody just burst a small brown paper bag next
to my head. I can't think why.
© Ian McMillan 2000
Fish Time | Summer Time | Winter Boy | Travelling Man
| Suspense
NEW: Ian McMillan Vs Andy Martin:
Ideas Have Legs is published by FUEL.
(includes the poem Endless Shedness)
|